Eden's Promise

This is a piece I started about 3 or 4 years ago. It needed a little rethinking, which I managed to conjure up a few months ago. The background andamento was a nice challenge for me, as well as the soft gradation in the middle section.

Eden’s Promise (2024) 19.5” x 15” Smalti, marble and travertine, shale, mosaic gold

Eden’s Promise, with reflection

Paths Taken, Part 7

Good progress in the past few days! I got to the point where I was really enjoying working on my drawing of andamento lines and working out how I needed to navigate the flaring and some of the trickier intersections and diversions of flow.

In this video, I will discuss how I got to this point and some of issues that came up.  

View fullsize

At left is my drawing as of this video. There are a couple of areas that I will be tweaking, and I talk about those in the video. Right now, I feel it is about 99% there.

I'm very happy with the flow and the overall size of the pieces, especially the shape and placement of the larger pieces which will be cut from smalti B-cuts and pizzas.

Next, I'll finalize my palette and how I want to work with the shades and values that I have. 

Storyteller: Video Tour

The above video takes a closer look at my mosaic Storyteller. 

Paths Taken: Yet More on Andamento

In this video, I'm discussing some of my challenges in working out how to express the flow that I would like to express.

Paths Taken: More on Andamento

After reflecting on my previous discussion about andamento, I wanted to talk about it a little more and clarify my understanding of the term. 

To summarize:

1. The English translation of andamento is a/the trend. Mosaically, I understand andamento to be the way things go, the movement, or more specifically, the sense of movement.
2. There are multiple ways to express the chosen andamento for a mosaic, including cutting and laying techniques—different opuses, and material and color choices.

In the above video, I talk about andamento as it relates to my current project, and I offer a couple of examples of different andamenti and the techniques chosen to express those andamenti.

Homage To Kilauea: Andamento

Someone wanted to know why I thought the andamento for my recent mosaic, Homage To Kilauea, was so difficult. I must clarify that just because it was difficult for me does not mean that it would be for everyone. I doubt that someone like Giulio Menossi, who has truly mastered a very refined andamento in his stunning portraiture work, would have been as challenged on this piece as I was. This kind of refined andamento requires, I believe, a whole lotta practice.

Looking back over my years of mosaic experience, I feel like I have only dabbled in this kind of andamento. Without years of experience doing this kind of thing, I find it is vital to draw out the andamento, piece by piece. I did not do that with this mosaic because, when I started it, I was just playing around. As I progressed on the work, my innate sense of seriousness and challenge led me to take the andamento more seriously than I had initially intended. 

So, what was so difficult about it for me? Three things:

1. The spaces, which I'll call channels, around the large shale pieces and the small stones are very narrow. That's a quarter in the pic on the right, which is about the size of a euro. (It's cloudy today so the image at right is on the dark side—apologies.) The channels primarily range about 3/8" wide to about 1 1/4" at the widest, not counting the lower right area where the blue flares out to the edge.
2. The average size of the smalti pieces is quite small, the majority being between 1/8" and 1/4". 
3. It is just very tricky to express flow around sharp curves and into and out of areas of varying size—small to large/large to small—and where the flow goes in all directions.

View fullsize

With such small spaces in which to work, I felt like a more refined andamento would best express the flow that I wanted. My study with Menossi doing portraiture is the most refined andamento I have ever worked with, and the most difficult. Expressing the contours of the face, flowing in and out of the shadows and angles and fullness and hollows of a face, using andamento as well as color and shading, is a demanding technical skill.

I worked with this kind of refined andamento on a recent work, Storyteller, but to a much lesser degree than I attempted here. After completing this work, I've decided to do another work incorporating this kind of andamento. I'll blog about it as I go, starting with my next post in the next few days. The piece will be similar to this one and will present the same andamento challenges. Let's see how I do.